Exhibition "Tender" at Greg Kucera Gallery by Timea Tihanyi

In Timea Tihanyi’s ceramic sculptures heavily textured undulating surfaces billow, gather, and fold like

linen. Her medium, porcelain, resembles starched fabrics of a long-gone past, stubbornly holding their

shape, while beginning to succumb to unseen forces.

For Tihanyi, the craft heritage of handmaking is as important as the digital technology she builds her

sculptures with. She references domestic textiles from Hungary: puffy down beddings (“dunyha”) and

wedding dowries of crisp linens (“kelengye”) decorated with traditional cross-stitch embroidery patterns

from Central and Eastern Europe. Her work is grown out of a maternal lineage of blue-collar labor in

textile mills and lace factories, mending and sewing for hire. Tihanyi’s domain is the social, considering

personal and community histories, economic and political contexts, and the natural language of

materials she uses and references.

An early innovator with ceramic 3d printing, Tihanyi carefully examines the binary world of technology

and puts the digital in dialogue with the clay material. Her research combines basic geometric motifs

from Hungarian embroidery. Building the work meticulously and patiently, she layers original design

elements digitally in a CAD program until a more complex and entirely novel image emerges. The stiches

in the cloth are translated as textures—made up by small bumps and loops in porcelain—extruded by

the 3D printer. Tihanyi’s work references the pottery tradition of the vessel. Embracing a hollow volume,

its walls are being shaped by forces both from the inside and the outside. Similarly, Tihanyi’s sculptures

are reshaped after the printing with gentle pressure, weight, and gravity in repeated firings. The

resulting forms are always a surprise. In these, the precision of the digital code meets accidental

slippages of clay, balancing of intention with serendipity, precariousness with strength, and

mathematical logic with beauty.

Tender was supported by a 2022 CityArtist grant from Seattle Office of Arts and Culture. 

Opening reception: July 6th

Meet the artist: August 3rd

Exhibition runs July 6 - August 5, 2023

New Spring and Summer Exhibitions, Teaching Technoceramics at Haystack by Timea Tihanyi

XO 23

Ancient Tech + Future Relics at the historic Coliseum Theater

July 14th through July 30

Events and Gallery hours

Celebrating Pacific Northwest Artists: 25 Years of the Neddy Awards

at the Museum of History and Industry MOHAI Seattle

June 3rd through September 5th

Artist panel discussion

Hear stories in the discussion about how our art carriers and PNW art scene has changed in the past 25 years with artists Claire Cowie, Nathan DiPietro and myself, moderated by Neddy 25th exhibit curator Negarra A. Kudumu. Recording on the MOHAI channel.

Ceramic 3D Printing at Haystack Mountain School of Crafts

Teaching a session 3 workshop July 16-28 Material — Human — Machine: Experimental Possibilities in Clay 3D Printing

We are using a dazzling variety of equipment from WASP, Potterbot ceramic 3D printers to an ABB IRB robot.

Bridges ART&Math Conference

I’ll be presenting a short paper on the Pathfinder: 3D Printing Data with Trigonometry and Chance. Papers are available through the Bridges Archives after the Conference.

Conference participation was supported by a School of Art, Art History and Design, University of Washington Wickoff Milliman grant.

New Publications, Spring 2023 by Timea Tihanyi

The Inner Ear

Wrapping up this two-year project with Studio Tilt.

The Inner Ear: Capturing and Physicalizing Home Vibrations is published by the Proceedings of Designing Interactive Systems. DIS’23. ACM Press

Interview on Art&Math

I had so much fun this past year teaching a new course in Art&Math with Jayadev Athreya, supported by a Mellon Foundation Grant at the UW.

In the winter, I did an interview for w/k Between Science and Art, the Swiss peer-reviewed journal, which is now online:
https://between-science-and-art.com/timea-tihanyi-mathematics-and-3d-printing-ceramic-objects/

Haystack Labs

Excited to be participating in the experimental program in Technology and the Arts developed and piloted by MIT Center for Bits and Atoms and Haystack Mountain School of Crafts. I’ll be working with ceramic 3D printing and AI.

Video documentary about Object Permanence by Timea Tihanyi

Object Permanence 2022 Exhibition Interview with artist Timea Tihanyi is now available on my Vimeo channel. I invite the viewer into my studio to talk about the ideas informing the exhibition Object Permanence. See the studio process of ceramic 3D printing and my technique for manipulating porcelain into a fabric. I discuss the objects and memories from my native Hungarian culture, which inspired this body of work.

Object Permanence installation concept and design is a collaboration with Seattle artist Sylwia Tur, whose ceramic work shares the display with Tihanyi's 3D printed porcelain sculptures, laser etched acrylic panels, and single channel video pieces. Object Permanence is on view January 21st, 2022 through May 29th, 2022 at the Bellevue Arts Museum.

Video credits: Reid Fuhr. Installation stills: Mark Woods Object. Permanence slow motion video production assistance: Illuxion. Thank you Irene Holroyd for facilitating the interview with excellent questions.

Fundraiser for CARE UKRAINE CRISIS FUND by Timea Tihanyi

UKRAINE CRISIS FUND: Make a difference in 4 million displaced Ukrainian People’s lives with urgent aid NOW

A humanitarian catastrophe is unfolding in Ukraine as attacks of war put millions of lives at risk. Innocent families, women and girls, and the elderly suffer most. Families are separated, people are cut off of their savings, social and cultural networks, healthcare, and education. 4 million left the country and has been moved around in helping European countries from location to location. 6 million more are internally displaced.

CARE’s immediate crisis response aims to reach 4 million refugees with your help of money by rushing urgently needed water, food, medical and hygiene kits, and cash, as well as creating a network of ongoing support for housing, meaningful job opportunities, health care, and education for displaced Ukrainian families.

Donate $500 or more to CARE and forward me the email confirmation of your donation from the CARE NETWORK and I will ship you one of my pieces from the Code Slip series. No strings attached.

You CARE and I gift you one of my pieces.

New Online Remote Workshops with Slip Rabbit + Links to Publications by Timea Tihanyi

While Slip Rabbit is still closed for in-person programming, I’m delighted to introduce a new workshop format for these Covid times of social distancing and remote learning. These are HANDS-ON opportunities for technical consultation and/or for custom workshops to address specific ceramic technical / ceramic 3D printing questions.

The workshop/consultation appointments can be scheduled in 60-minute increments here: https://quickrabbitdesigns.bigcartel.com/product/remote-online-ceramic-3d-printing-workshop

I’m honored to be included is in the freshly published Illustrating Mathematics book by AMS! If you would like to buy a copy of this beautiful book, you can do so here: https://bookstore.ams.org/mbk-135

My own publication, Making and Breaking Rules. Algorithmic Forms and Tactile Processes - A Technoceramist’s Adventures with Mathematical Thinking, a tactile artist book full of great resources is going fast. Purchase your copy here: https://quickrabbitdesigns.bigcartel.com/product/book

McMillen Foundation Fellowship by Timea Tihanyi

I am honored to be selected as one of the 2020 MAC Fellows by the Robert C. McMillen Foundation. With the help of the fellowship, I’ll continue my research of Hungarian textile traditions, in particular, cross stitch patterns in the Great Plains (Nagy Alföld) region. I’m interested in the origin and interpretation of the design motifs, and how they may be reinterpreted with 21st century technologies. I will use both ceramic printing and computer knitting to rethink both the process of making, as well as the medium.

2020 Fall exhibitions by Timea Tihanyi

Counter—Part, my 4th solo exhibition at the Linda Hodges Gallery is now open to the public Tue-Sat 10:30am-5pm September 3rd through the 26th. No appointments are needed, but please wear a face mask and observe social distancing guidelines. The exhibition showcases work done in lockdown during the SARS-CoV-2 pandemic: Etelköz, a series of deconstructed porcelain forms; Textile Traditions, a selection of richly textured magnificent vessels, with motifs based on traditional Central European textiles; and Counter—Part, autobiographical sculptures made with a Delta WASP ceramic 3D printer.

Please join me at the gallery during a Meet the Artist event on Saturday, September 26th 1-3pm.

I’m honored to be part of a four artist show of digital ceramics at the Sculpture Space NYC. I’m showing work from two of my previous collaborations with mathematicians: Sandpile Models with Sara Billey and Algorithmic Knitting with Frank Farris.

The spring Museum of Glass exhibition featuring artist working with technology in glass has reopened. My work is also on display at the HQ of Perkins Coie, Seattle until the end of December.

Studio Life during a Pandemic by Timea Tihanyi

In-line with the State of Washington, King County, the University of Washington and the City of Seattle recommendations regarding the COVID-19 virus pandemic, I decided to suspend all public-facing activities at the studio until further notice.

I am grateful for the privilege of health, space and creative opportunities that allows me to continue work on several projects during these uncertain times of change. I am also thinking about how to support artists and health care workers during this time of great need and anxiety.

In collaboration with several UW departments, I’m printing face shields for UW Medical Center.

See this video news piece by Seattle Channel.

Timea's book about Math and Ceramic 3D printing is out by Timea Tihanyi

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I’m delighted to announce the publication of my book: MAKING AND BREAKING RULES: Algorithmic Forms and Tactile Processes - A Techoceramist’s Adventures with Mathematical Thinking.

It’s an artist’s process book, though I tried to put as much relevant technical information in it about the math and about 3D printing/ceramic 3D printing as possible. There are also musings about cross-disciplinary collaboration, the language of art and math, the tradition of craft in the digital age, and about rule-based systems. Lots of references are included for those who would like to dig deeper and there is also a selection of rule-based pieces I’ve made in the past few years.

The online version of the book is available now through Slip Rabbit for flipping through or as a series of free downloads. If you would like to reserve your physical printed copy, a beautifully produced 150-page volume by Quality Press, Georgetown, please get in touch. Sales of the book will begin in my online shop later this spring.

Just Published: Céramique + Studio Potter interview by Timea Tihanyi

I’m honored to have my work included in the beautiful book Céramique by Charlotte Vannier and Véronique Pettit Laforet (published in November 2019 by Pyramyd books, Paris, France).

The book features 90 contemporary ceramists from all over the world.

In addition, the August issue of Studio Potter published an interview with me by Bryan Czibesz.

Read our conversation about how I got into clay, became interested in ceramic 3D printing and why I founded Slip Rabbit.

NCECA invited presentation, Women in 3D Printing article, Intercontinental Ceramics Project and new videos by Timea Tihanyi

It is a great honor to be featured in the Women in 3D Printing magazine with a wonderful interview this month. I’ve been traveling a lot this winter and spring for presenting artist lectures, demos, talks and workshops at various colleges and national/international conferences, including the Intercontinental Ceramics Project in Valencia, Spain, NCECA FabLab in Minneapolis, and doing joint talks about a collaboration with math professor Sara Billey at the annual Math Day and the Math Hour organized at the UW.

I have two beautiful videos of recent projects now online: ListeningCups is a collaboration with interaction designer Audrey Desjardens about data-tactilty and data-stories/data-fictions . Ringató (Cradled) is my technohaptic proposition for a pas deux between the human body and a 3D printer.

The Spring Slip Rabbit Open Studio is Saturday, May 11th, 3-5pm with a focus on fiber arts.

2018 Neddy Award in Open Media by Timea Tihanyi

I’m honored to be the winner of this year’s Neddy Award in Open Media.

The Neddy is awarded since 1996 by the Cornish College of the Arts and the Behnke Foundation in memory of Robert E. (Ned) Behnke (1948­–1989).

Read CityArts magazine and Discover SLU magazine reviews.

Here is a video about my studio process produced by Rollofall for the Neddy.

The work of all the finalists will be on view during an exhibition at the Cornish Playhouse Gallery from Nov. 14 to Dec. 16.

On Ceramic 3D printing/Slip Rabbit: Interviews with Seattle Magazine, KING5, and ARTbeat Northwest by Timea Tihanyi

The incredible Pat Pauley of ARTbeat Northwest did an in-depth live interview with me on August 28th on KKNW 1150AM. During our 27minute conversation, we covered a lot of ground from ceramic 3D printing technology, to my current research interests and collaborations and my exhibition Control and Release at the Linda Hodges Gallery.

I also had a chance to talk about how Slip Rabbit became a leading digital ceramics research and teaching studio in the Pacific Northwest, and how the studio reaches across disciplines to push digital ceramics towards new areas of exploration. 

Note: the show begins with a few minutes of listing of current events and sponsors' adds. Forward to 3'25"

My 3D printed work with Slip Rabbit and the exhibition Control and Release were also featured in the August 2018 print and online issue of Seattle Magazine. The Evening Magazine on KING5 created a spotlight feature for broadcast on Wednesday, August 22nd. 

Third solo exhibition at Linda Hodges Gallery: August 2018 by Timea Tihanyi

Control and Release at Linda Hodges Gallery, Seattle Aug 1 – Sept 1, 2018

Opening reception Thursday, August 2nd, 6-8pm

Interdisciplinarity is crucial to my practice even though my main material has always been clay. In the emerging area of ceramic 3D printing, tools, processes and outcomes are developed by a global multidisciplinary community through shared experimentation. Following the prescribed path of the digital design, the ceramic 3D printer extrudes a thin coil of soft porcelain and creates the object layer by layer, line by line. The form it makes is dependent on the “materialness” of clay and would not exist and often cannot stand without the human hand.

In between design and serendipity lies the resulting object, consistent yet unique. My work reinterprets the process of craft by considering the intelligence of not only science/technology but also the hand and material.

I collaborate with mathematicians and technophiles for coding and exploring the use of algorithmic principles similar to those used in machine learning, AI, brain mapping, and genetic transcription. The contemporary technological idealism is inescapable but our culture also witnesses the fallibility of algorithms every day. My current work with Cellular Automata, the mathematical field of modeling self-replicating, rule-based systems points to the difficulty in creating randomness by technological means.

Clay, in its own materiality and with a rich history that is tied to the mundane, bodily and the abject, challenges all logical and predictable outcomes. Responding to the ceramic tradition of the vessel, my work reinterprets technical, formal and conceptual aspects of digitally aided ceramics and reasserts them in the realm of human physical experience. Having recently been honored with a residency at the Museum of Glass, Tacoma, I also had a chance to combine glass and porcelain and explore the fragility and strength of each material when put to a co-dependent relationship. We blew glass into molds taken from the form of 3D printed porcelain and inflated them further to see how they stretch, deform and conform when pressed against the ceramic. The result is a series of sculptures revealing symbiotic relationships that uphold and obscure, support and obstruct at the same time. This work is also a tribute to my mother, Matild, and to the complex life-long bond between mothers and children.

Control and Release received support from a CityArtist grant by the Office of Arts and Culture, Seattle and an Individual Artist grant from 4Culture/King County Lodging Tax.

Still / Here and Mothering series was made during artist residency at the Museum of Glass, Tacoma.

Burst and Follow series is part of an ongoing research collaboration with Professor Sara Billey of UW Math. Collaboration is supported by a Bergstrom Art-Science Award.

Museum of Glass Residency: April 11-15, 2018 by Timea Tihanyi

Part of the events to recognize the legacy and influence of a dear mentor, colleague, and friend, the late Akio Takamori, I was invited to a residency at the Hot Shop of the Museum of Glass, Tacoma. 

"Akio was a professor at the University of Washington for over twenty years and helped build a ceramics program, which became highly-sought after by art students nationwide. His work was heavily inspired by his Japanese heritage, as well as art historical movements, cultural events" and by his passion for life and love.

I will be taking 3D printed porcelain forms and moulds to the Hot Shop, including those recent ones using tiling, weaving, and cellular automata patterns. I will be exploring the combination of these mathematically-inspired forms and bodily-sensual shapes stretching the resilience of both the porcelain and glass.

Sunday April 15th 3:00pm  |  Artist Talk
4:00pm  |  Watch me make glass with the MOG Hot Shop Team
5:00pm  |  Remarks & Refreshments in honor of Akio Takamori (Akio's exhibtion is open)



 

Introducing Slip Rabbit by Timea Tihanyi

What: My studio, under a new name Slip Rabbit, has been expanded and opened to the public as a fully equipped, digitally capable, nonprofit ceramics studio in North Seattle. 

Why: Slip Rabbit's mission is to explore the intersection of materiality and the virtual in ceramics and to spread the love of problem solving and making. 
How: Using a state of the art Potterbot7 clay 3D printer, Slip Rabbit is forging collaborative relationships with professionals in the design, math, computer science and engineering fields, and with artists and makers in the Pacific Northwest and across Europe.

There are various ways for getting involved with Slip Rabbit: Check out our internship, residency, and research programs at https://www.sliprabbit.org/ for details.

Follow @SlipRabbitStudio on Instagram or follow the Slip Trail.

by Linda James

Collaboration:Axiomatic

I teamed up with Jayadev Athreya, Associate Professor in the Department of Mathematics, UW on a year-long project Axiomatic supported by a Simpson Center for the Humanities Collaboration Studio Grant.

Research update:

The porcelain renderings of the 5cell, a four-dimensional tetrahedron projected in three-dimensional space (based the work of Henry Segerman, Assistant Professor in the Department of Mathematics at Oklahoma State University), were part of the show Synaptic Lexicon during 9e2 in Seattle.

Article:

An October 2016 article in GeekWire talks about the creation of some of this work.

 

Currently on view:

Open now at Linda Hodges Gallery in Seattle is Parlor Games: Scientia, which includes additional Axiomatic work as well as a 155-volume library of bone china porcelain books, created during my summer residency at Sundaymorning@EKWC (European Ceramic Work Center) in the Netherlands.

Scientia received a grant from 4Culture and a Milliman Award from the School of Art + Art History + Design.

Scientia is open through January 28, 2017.